First, there's Gogol Bordello whose frontman Eugene Hütz is credited with coining the term "gypsy punk cabaret" to describe the band, which is a punk-infused Eastern European romp. The gala screening at the Edmonton Film Festival in October was a film called Wristcutters: A Love Story, an offbeat roadtrip comedy set in an alternate plane of existence where all the suicide victims end up and "everything's the same, just a little bit worse". It's quite a charming little gem of a movie with inspired performances from an eclectic cast that includes Patrick Fugit (Almost Famous), Tom Waits (!), Shannyn Sossamon, Shea Whigham, and Arrested Development's Will Arnett (as a self-proclaimed Messiah, no less). I found out after that some of the music on the soundtrack was done by Gogol Bordello, so I checked the library and we had a couple of their CDs. Shea Whigham's character Eugene, who electrocutes himself and dies mid-song at a gig, is no doubt inspired by Gogol Bordello's Eugene Hütz (who presumably did not electrocute himself and die mid-song at a gig).
Here are a couple of my favourite tracks:
The other band I've started listening to is Golem. Apparently gypsy punk can be further sub-categorized: Gogol Bordello could be considered Slavic gypsy punk while Golem is more along the lines of klezmer/Yiddish gypsy punk. I first took note of Golem when I heard their song Warsaw is Khelm, which features Amanda Palmer of the Dresden Dolls sharing lead vocals.
I suspect my affinity for this genre goes back to my days as a huge fan of Captain Tractor, a local band whose music is usually Celtic folk-rock but they have a few songs that share the same "gypsy punk" vibe. For example, the conspicuously titled Gypsy Music, a 30-second throwaway track from their Bought The Farm album. Also, a cover of If I Were a Rich Man, which I posted long ago in the formative stages of this blog.
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